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ROCKTIMES Review – Anderson/Wakeman – The Living Tree In Concert

Steve Braun-

Almost to the day of the year after was “The Living Tree” appeared, Gonzo Multimedia has now produced the first part of the subsequent tour “Project 360″ as a CD on the market.”The Living Tree In Concert, Part One” was recorded in late autumn 2010 in the UK.According to rumors, “… Part Two,” the subsequent concert tour of the U.S. record in the spring of last year.
“The Living Tree,” the two ex-Yes Man presented only with its two ‘instruments’, voice and keyboards – there was definitely something! The basics were developed on a joint tour in 2006. The shooting began in early August 2010 for a CD that originally exclusively at the merchandising stand above Tour should be available. (It is thought better of it …) The images sent electronically to the two across the Atlantic back and forth. It speaks for its compositional and studio technical skills that so was in such a short time an album.
Arranged with piano, synths and acoustic guitar, the songs on “The Living Tree In Concert, Part One” small, mostly balladic art become. Jon Anderson’s unique voice floats over Rick Wakeman atmospheric, never to close more advisable sound architecture. This reduction comes mainly benefited the Yes-four songs that are seeded from any ballast, presenting a completely new appearance. This works even better as “South Side Of The Sea” [Note: here "Southside" titled!], Sometimes worse, as with the somewhat messed up, interpreted as a reggae “Time And A Word” – sometimes even grandiose: “And You And I “and” Long Distance Runaround run “the other songs loose from the rank.
The two parts of “The Living Tree” exude musical New Age feel-good atmosphere.Lyrically shines through again and again Anderson’s tendency for esoteric. The rest of the songs I like much better in person. “Morning Star”, “23/24/11″ and especially “House of Freedom” are full of atmosphere-density high-caliber, which produce just by a more penetrating feeling thrifty instrumentation. In the booklet, the two musicians describe each other as soulmates who would complement each other compositionally ‘blind’. This is unusual when listening to this live album perfectly understandable. They merge into a Totaltiät that takes the attentive listener captive.
Understandable, the decision appears to bring out any double-CD, but instead split up “The Living Tree In Concert” appearing in two separate discs. After barely an hour is one thing but not killed by the easily digestible musical fare
An equally unusual and fascinating album is “The Living Tree In Concert, Part One” has become. No music for the rapid consumption ‘in between’ – who would have expected such a thing seriously by Jon Anderson and Rick Wakeman.
If one of the esoteric stuff sometimes benevolently hides, one has – to suit the momentary season – the ‘soundtrack’ for a relaxing evening by the fireplace in the player.

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Wishbone Ash interview Andy Powell

Interview:

1. Thank you very much for taking your time to make an interview with It’s Psychedelic Baby Magazine. You are very active these days and will be releasing a brand new album titled Elegant Stealth on the 25th November. Are you excited about it? We all are and can’t wait to hear the album!

It’s my pleasure to talk with you. Yes, we are extremely excited about the release of the CD Elegant Stealth. We all feel we’ve done some extra good work here and are eager to know what folks think.

2. Tell me about the process of recording and producing your latest album? What can you say about the concept behind the album?

We started writing 2 years ago and actually produced a rockumentary style DVD about that process. It didn’t hurt that we were in a very conducive location – an old manor house in Normandy, France.

Then we had some more writing sessions at my place in Connecticut last summer. Finally we got to our studio in Lancashire England, last November, to produce the basic tracks and some vocals. Some more overdubs were done back at my place in the USA. In addition, work was also done in the UK and in Helsinki, Finland by my co guitarist, Muddy Manninen. It’s been a real global affair! A labour of love, you might say.

The main concept behind the album was to write and record, together as a band, to capture the creative thing as we jammed out and worked collectively. We hoped that we’d get more of a stage vibe going and I believe we have got close to that spontaneity.

3. You also have a new documentary out. Please share a few words about it!

As mentioned, it was recorded in France. The video crew and producer were French and very experienced in this kind of thing, having worked with musicians in Africa and France, but never with a rock band originating from England. At first, you can see us slightly uncomfortable with having cameras there 24/7, but pretty quickly we became oblivious to them and settled down to working on producing new material.

4. I know you will start your tour in 2012. Are you excited to be on the stage? Will you be presenting only the new album or will you also add your amazing stuff from the past?

Myself and the guys in the band are always excited about being on stage. It really has to be that way, otherwise why do it? We really do love what we do. We’ll certainly preview a few new songs from the album as well as some of the classics from the band’s long past. We understand that folks want to bask in memories of the old days as well as check out our new stuff, hopefully.

5. Let’s go back into the late 60’s. Were you or others in any bands before forming Wishbone Ash?

Yes. I was in bands from the age of 12 actually, and always, in my own naive way, treated it as a professional thing, even at that young age. During my teens, I was in a succession of bands in the provinces around London. Mostly they were 4 piece rock outfits and then also what we called soul bands. There were at least 2 of these which specialized in Stax and Motown style music – Sam and Dave, Otis Reading, Marvin Gaye, James Brown – that kind of thing. We used to have great singers and some of my friends from those bands have also gone on to have careers in music but ironically, one of the singers is now a TV presenter for a fishing show having had a successful career in business!

Speaking for the others in the band now, I believe it was definitely the same for them. I know they played in bands as teenagers. We all got the music bug at a young age.

6. What are some of the nicest memories from producing and recording your debut, Pilgrimage and Argus?

Being young and free in London. It was a great time to be alive, producing your own music. The music business was really exploding and London was the epicenter of it. Pilgrimage was pretty much us just going into a studio with a great engineer and producer and playing. It was was essentially our stage set. That was Pilgrimage. I believe it was recorded and mixed in a very short time – 10 days maybe. We were getting more experienced at recording.

Argus was a different thing. We were conscious that folks were expecting a bigger statement on this, our third album, so we took our time writing and mapping out the musical direction. The band was starting to think big. We’d been to America and played big stadiums and in the UK, we’d played summer festivals and the Town Hall circuit, so we needed music that had a bigger statement about it. We had a great manager, Miles Copeland, and by then, we’d really got comfortable with Derek Lawrence our producer, and Martin Birch, our engineer.

Everything about Argus was epic in a way, even the cover art, and it became a huge seller and really defined us as a band. I felt we really worked as a unit on that album. It was a true group effort with everyone’s role being clearly defined, yet very open ended. Martin Turner handled most of the lyrics. I handled arrangements and many guitar parts, but we all overlapped into each others’ territory. Drummer Steve Upton, wrote the very poetic lyric to Leaf & Stream and Ted Turner came up with the iconic riff in the King Will Come, as well as the whole opening section to Time Was and the song Jailbait. I wrote the bass part in Sometime World as well as the vocal melody. Martin came up with guitar lines. The harmony vocal lines and song melodies were a sometimes overlooked but integral part of the sound of this very special album. There were great, great guitar solos by yours truly and my harmony twin, Ted Turner, and some killer opening riffs and guitar lines like Blowin’ Free and Throw Down the Sword. Actually some great song endings too.

No one person could have produced that record on their own . It was us truly melding as a band. Great openness, great creativity, a kind of collective consciousness, mutual respect and subsequently now, great memories. We actually, and finally sounded cool – I remember thinking at the time ;-) The public obviously also thought that because the record sold millions around the world.

7. You saw the whole world while touring. Do you have any particular memories or should I say stories you would like to share with us?

Oh my – let me see. The first time in America was special because I’d grown up in the UK in the 50s which was really quite drab. We were trying to recover from a war. But, we’d seen this magical place called America, on our TV screens. I remember when color TV came in, so to finally visit the place, traveling on BOAC I can remember the light – it was like Technicolor all over again but this time for real. I was sitting on Miami Beach and I can remember pinching myself to make sure this was finally, actually real. America meant and still means a lot to me. We toured with the Who, I remember as well as Steppenwolf, Three Dog Night, Quicksilver Messenger Service. Sounds like ancient hippy history, doesn’t it?

Visiting Russia was something also. We were there in the depths of winter. I never realized it could get so cold. The Neva river was frozen solid. There were like icebergs on it. People had it rough. On the other hand we saw the Hermitage Museum and all the splendors of St. Petersburg / Leningrad. We had junior KGB acting as interpreters. They were very dour and you weren’t allowed to leave your hotel room without supervision.Our security at the shows was the army. They were rough with the kids. But there was such an outpouring of emotion that we’d gone there.

India was amazing. Such extremes of poverty and then on the other hand, great wealth. Overwhelming visually, but incredible in every way. We are one of the few rock bands to have toured there. I have a book full of memories of those trips there. It was a very special experience and even today, there are people who write to me who remember coming to our concerts there.

8. What are your future plans, besides going on the tour?

I want to write a book someday, and produce a solo CD.

9. I’d like to thank you once again for taking the time and effort to answer my questions! Would you care to send a message to all of your fans and readers of It’s Psychedelic Baby Magazine?

Yes, I want to know what drugs you are all on ;-)
Seriously, thanks for your support for one of Britain’s treasures, Wishbone Ash. As John Lennon said “I’ll wear it gratefully”.

Interview made by Klemen Breznikar / 2011
© Copyright http://psychedelicbaby.blogspot.com/ 2011

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Original YES Vocalist Jon Anderson To Play Select South American Concerts

For immediate Release

Jon Anderson To Play Select Concerts In South America

11/22/2011 – Asheville, NC – Music legend and original YES vocalist Jon Anderson will be playing a series of select solo concert dates this December in South America. Jon Anderson, who has one of the most recognizable voices in music, and is best known for his work with YES, Vangelis and Kitaro, as well as his innovative solo efforts, recently completed a successful tour of the east coast in the US with fellow YES member Rick Wakeman. Jon’s South American solo tour promises to deliver an exciting mixture of material from his prolific solo career, collaborations with Vangelis and classic YES songs, along with new compositions from his new CD ‘Survival & Other Stories’.

Jon Anderson South American 2011 Tour Dates:

12/03/2011 – Floripa Music Hall – Florianopolis, SC, Brasil
12/07/2011 – Teatro Oriente – Providencia, Santiago, Chile
12/09/2011 – Teatro Bourbon Country – Porto Alegre, RS, Brasil
12/10/2011 – Bolshoi Pub – Goiania, GO, Brasil
12/13/2011 – Citibank Hall – Sao Paulo, SP, Brasil

Jon recently released an epic musical work entitled “OPEN.” A return to the long-form composition that Jon Anderson is best known for, (“Close To The Edge”, “Gates of Delirium”, “Revealing” and “Awaken”), OPEN is a 21-minute exhilarating musical journey; a pioneering effort that weaves intricate melodic and harmonic themes within a classical music framework whilst showcasing Anderson’s iconic vocals and timeless melodies throughout. In many ways OPEN is a return to Jon Anderson’s musical roots, as YES music continually flows through his veins, making it only natural to revisit now and again. Coupled with wonderful orchestration by his neighbor and good friend Stefan Podell, messages of peace, love, light and freedom are further explored within OPEN, making listening an uplifting and joyous experience!

” ‘Forever taken to that place of understanding,’ are the first lyrics of ‘OPEN’, as though I am always remembering my true musical journey. To create this work, I sat with my 19th Century guitar and strummed ideas last spring 2010. Songs just poured out of me that week, and before I knew it I had created a long form musical idea, and with the help of Stefan Podell’s powerful orchestration, we put together what is now ‘OPEN.’

It has 4 movements all intertwined, and seems to have a life of its own. For those who love this kind of music, I feel so happy to present it as one of many I hope to create over the coming years. My love ‘Janee’ has helped in production with her unique musical observations and her angel voice. I am so happy and thankful… Many Blessings.” Jon Anderson – October 2011

Jon Anderson’s OPEN is available as a digital download and can be obtained at:

http://itunes.apple.com/us/album/open-single/id474552662?ls=1

In other news, Jon Anderson and fellow former YES member Rick Wakeman have released ‘Anderson / Wakeman – The Living Tree In Concert Part One’ CD on Gonzo MultiMedia. The legendary duo performed a series of successful concerts in the UK in 2010 in support of their critically acclaimed CD release ‘The Living Tree’, and recorded several of the performances. The CD can be obtained at http://www.gonzomultimedia.co.uk

For more information on Jon Anderson’s upcoming South American tour go to http://www.jonanderson.com/tour.html

Jon Anderson ‘Survival & Other Stories’ available through Voiceprint Records
http://www.voiceprint.co.uk, http://www.gonzomultimedia.co.uk

Amazon: http://www.amazon.com/Survival-Other-Stories-Jon-Anderson/dp/B004XIQHWU/ref=sr_1_1?ie=UTF8&qid=1308606761&sr=1-1

http://www.jonanderson.com, http://www.facebook.com/thejonanderson, http://www.olias-jewelry.com

Photo by Tami Freed

Press Inquiries: Glass Onyon PR, Billy James, PH: 828-350-8158. glassonyonpr@cs.com